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Anne Frank Unbound

Media, Imagination, Memory

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1 of 1 copy available
1 of 1 copy available
“A brilliantly conceived and long overdue opening up [or deconstruction] of the Anne Frank story.” —James Clifford, Professor Emeritus, History of Consciousness Department, University of California
 
As millions of people around the world who have read her diary attest, Anne Frank, the most familiar victim of the Holocaust, has a remarkable place in contemporary memory. Anne Frank Unbound looks beyond this young girl’s words at the numerous ways people have engaged her life and writing. Apart from officially sanctioned works and organizations, there exists a prodigious amount of cultural production, which encompasses literature, art, music, film, television, blogs, pedagogy, scholarship, religious ritual, and comedy. Created by both artists and amateurs, these responses to Anne Frank range from veneration to irreverence. Although at times they challenge conventional perceptions of her significance, these works testify to the power of Anne Frank, the writer, and Anne Frank, the cultural phenomenon, as people worldwide forge their own connections with the diary and its author.
 
“This collection of brilliant essays offers fascinating and unexpected insights into the significance of Anne Frank’s iconic Holocaust-era diary from many disciplinary perspectives in the arts and humanities.” —Jan T. Gross, the Norman B. Tomlinson Professor of War and Society, Princeton University
 
“This volume is a major contribution to scholarship regarding Anne Frank's diary and its cultural influence . . . Highly recommended.” —Choice
 
“Engrossing . . . The overall aim is to provide a greater understanding of the general and particular engagement with Anne Frank as a person, a symbol, an icon, an inspiration, and perhaps most polarizing, as one victim, not the victim of the Nazi holocaust.” —Broadside
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    • Library Journal

      September 1, 2012

      The essays in this collection, edited by Kirshenblatt-Gimblett (performance studies & Hebrew and Judaic studies, New York Univ.) and Shandler (Jewish Studies, Rutgers Univ.) and derived from a New York University colloquium of the Working Group on Jews, Media, and Religion of the Center for Religion and Media, focus on how Anne Frank's life, death, and diary have become part of contemporary memory. The first part of the book, "Mediating," examines how her diary has been shaped into stage plays and movies (including Japanese anime). The second part, "Remembering," considers how the politics of popular culture transformed Frank from a distinctly Jewish victim of the Nazis into a universal symbol of human rights. The third part, "Imagining," demonstrates how Frank's diary has served as the basis for music (both secular and religious) as well as conceptual art. The fourth section, "Contesting," shows how Frank's story can be iconoclastic, e.g., as the backdrop of a South Park episode. The epilog tracks the fate of the chestnut tree behind the Anne Frank house in Amsterdam and the public reaction to its death, indicating that even physical things associated with Frank have become part of collective memory. VERDICT This collection of highly specialized essays will appeal mostly to scholars and is best suited for specialized collections.--Frederic Krome, Univ. of Cincinnati Clermont Coll.

      Copyright 2012 Library Journal, LLC Used with permission.

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  • English

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