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Title details for The Postcard by Anne Berest - Available

The Postcard

ebook
1 of 1 copy available
1 of 1 copy available

A BEST BOOK OF THE YEAR
TIME Magazine・NPR・Library Journal・The Globe and Mail・Lilith・Forward Magazine・Toronto Star・The New Yorker

Winner of the Choix Goncourt Prize, Anne Berest's The Postcard is a vivid portrait of twentieth-century Parisian intellectual and artistic life, an enthralling investigation into family secrets, and poignant tale of a Jewish family devastated by the Holocaust and partly restored through the power of storytelling.

January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest's maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz.

Fifteen years after the postcard is delivered, Anne, the heroine of this novel, is moved to discover who sent it and why. Aided by her chain-smoking mother, family members, friends, associates, a private detective, a graphologist, and many others, she embarks on a journey to discover the fate of the Rabinovitch family: their flight from Russia following the revolution, their journey to Latvia, Palestine, and Paris. What emerges is a moving saga that shatters long-held certainties about Anne's family, her country, and herself.

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    • Publisher's Weekly

      Starred review from March 20, 2023
      In Berest’s phenomenal English-language debut novel (after the nonfiction work How to Be Parisian Wherever You Are), the author pieces together stories of her ancestors who were lost at Auschwitz. In 2003, when Anne is 24, her mother, Lélia, receives a cryptic postcard containing only the names of four relatives, all of whom died in the Holocaust. The postcard remains an enigma until 10 years later, when Anne, now pregnant and visiting her parents’ house, decides she’s ready to learn more about her roots. In flashbacks sparked by Lélia’s stories, Berest builds a touching account of her great-grandparents Emma and Ephraïm Rabinovitz, whose names were on the postcard along with two of their children, and who had fled from four countries before settling in a Paris suburb in 1929. After France is invaded, Ephraïm’s business is seized by the government along with his cookware patents, and the family is subjected to curfews and restrictions. Emma and Ephraïm are separated from two of their children, and the four are eventually taken to Auschwitz. With bracing prose, smoothly translated by Kover, Berest takes an unflinching look at antisemitism past and present (“And, I realized now, I was the same age as my mother and grandmother were when they were hit with the insults, the stones.... The pattern was undeniable”). The more Anne learns of her family, the more powerful her story of reclaiming her ancestry becomes. This is brilliant.

    • Booklist

      April 1, 2023
      A piece of family lore looms large for L�lia and her daughter, Anne. Several years ago, L�lia received a mysterious postcard with only four words on the back--Ephra�m, Emma, No�mie, and Jacques--the names of her maternal grandparents, aunt, and uncle, who were all taken from their small French town and subjected to the horrors of the Holocaust. Fueled by their extensive research, tireless curiosity, and a driving sense of justice, L�lia and Anne are determined to uncover who sent the postcard and whether they did so in solidarity or intimidation. In this sweeping family saga, French novelist Berest illuminates opportunities for kindness and betrayal in wartime France and the long echo of the Holocaust's atrocities. L�lia's predecessors were subject, like so many others, to the creeping oversight of bureaucracy and harmful, illogical biases. Berest gives family members and close friends occasional opportunities to narrate, while keeping young Anne as the story's central protagonist. Translated from its original French, The Postcard will appeal to fans of All the Light We Cannot See and The Book Thief.

      COPYRIGHT(2023) Booklist, ALL RIGHTS RESERVED.

    • Library Journal

      Starred review from February 1, 2023

      In this Prix Goncourt finalist, L�lia, a Frenchwoman living in Paris, receives a postcard with nothing on it but four names, which happen to be those of her grandparents and an aunt and uncle who perished during the Holocaust. She shows the postcard to her daughter, and neither of them has a clue as to who might have sent it or why. L�lia has kept a voluminous file over the years on her lost family, and she and her daughter set out to unravel the mystery behind the postcard. Through flashbacks, award-winning French author Berest (Sagan, Paris 1954) reimagines her own family history (that postcard really existed), while relating events surrounding the perished family, the grandparents originating in Moscow, then traveling with their children to Latvia and Palestine and finally settling in France some time before the German occupation. She also fills her daughter in on the life of Myriam, grandmother to L�lia and the sole survivor of her family. Effectively translated by Kover, the narrative has a somewhat complex structure, but despite all the flashbacks, the story is not hard to follow, and the well-drawn characters readily gain readers' sympathy. VERDICT Not only a significant contribution to our understanding of the Holocaust but a moving reflection on loss, memory, and the past, in equal measures heartwarming and heartrending. Highly recommended.--Edward B. Cone

      Copyright 2023 Library Journal, LLC Used with permission.

    • Kirkus

      April 1, 2023
      A Jewish family's experience across multiple generations, researched by a mother and daughter, shines a spotlight on French antisemitism, both historic and contemporary. The arrival in 2003 of an unsigned postcard, delivered to her mother L�lia's postbox in Paris, bearing the names of four family ancestors murdered at Auschwitz, forces Anne Berest properly to consider her Jewish heritage. The result is this autofiction sharing the tragic saga of one branch of her forbears, the Rabinovitches, seeking peace and a safe home in the shifting European landscape of the 20th century. L�lia, who has methodically pieced together the story of her grandparents, now shares it with Anne, starting with Ephra�m and Emma's marriage in Moscow and the birth of their first child, Myriam, L�lia's mother, who will be the sole survivor. Two more children, No�mie and Jacques, are born, while the Rabinovitches move, for political reasons, to Latvia, then France. But Ephra�m fails to secure French citizenship for the family, and, as their lives become increasingly circumscribed after the German occupation, first No�mie and Jacques and then the parents are arrested, imprisoned, and slaughtered. Berest's descriptions of captivity are notably horrific. Years later, as Anne's child reports antisemitism at school, Anne remembers the postcard and begins a quest to find its author. Now the narrative switches from historical record to detection, involving a private eye and a graphologist, before turning more introspective as it traces Myriam's experience. Having escaped into the French free zone with her husband, she settles in a remote Provencal cottage, then comes back to Paris and joins the Resistance. As the war ends, she witnesses the return of skeletal survivors from Germany. The story overall is poignant, tense, restless, and ultimately pivotal, as Anne not only solves her mystery, but, more importantly, gains her identity. The anguish and horror of genocide arrive with fresh impact in an absorbing personal account.

      COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.

    • BookPage
      There should be a special word for when readers become so thoroughly engrossed in a book that they can hardly put it down—and are jolted, even bereft, when it comes to an end. Captivated comes close but doesn’t completely convey the experience of reading The Postcard from French writer and actor Anne Berest. Already an international bestseller, it’s a unique piece of autofiction that unfolds like a thriller while seamlessly addressing a number of hefty social issues past and present. Like the author, the novel’s Anne Berest is the great-granddaughter of artist Francis Picabia and French Resistance fighter Gabriele Buffet-Picabia. But Anne knows little about her maternal grandmother Myriam except that she was Jewish and lost her family in concentration camps. The topic is rarely discussed, and Anne doesn’t think much about it until one day when her young daughter remarks, “They don’t like Jews very much at school.”  Shaken to her core, Anne can hardly address the subject. Instead, she suddenly remembers a strange, anonymous postcard that her mother had received years earlier, in 2003. The front showed a photo of the Opéra Garnier in Paris; the back contained the names of Myriam’s parents, Ephraim and Emma, and siblings, Noémie and Jacques, all of whom died at Auschwitz in 1942.  Anne becomes determined to find out who sent the postcard, though she’s uncertain whether the sender’s intentions were honorable or menacing, “waiting, as they had been for decades, patiently, for me to come looking for them.” She partners with her chain-smoking mother to investigate, hopping into her mother’s messy car, and little by little, their efforts pay off and details emerge, which Berest shares in fictionalized scenes, creating dialogue and details while sticking to the facts as closely as possible. As her mother says, “It’s incredible how much is still there in the archives, like an underground world, a parallel world, still alive. Like the embers of a fire . . . all you have to do is blow on them to rekindle the flame.” The rekindling is unsettling, and Berest’s moving storytelling brings her ancestors’ story to life in dramatic, artful ways, often interspersing historical events with running discussions between mother and daughter. They uncover an epic, tragic tale that spans the globe, including Russia, Latvia, Poland, France, the United States and Palestine. Although Ephraim had taken note of the growing dangers to Jews in Europe, he was determined to become a French citizen, and in so doing, “He’d allowed himself to become inextricably entangled in a situation from which there was no escape, trapped by rising waters while he simply stood there and watched them rise.”  As Anne and her mother explore their past, the author notices a number of coincidences and parallels to her own life while acknowledging the extent of the inherited trauma. “I carry within me,” she concludes, “inscribed in the very cells of my body, the memory of an experience of danger so violent that sometimes I think I really lived it myself, or that I’ll be forced to relive it one day.” Readers of The Postcard will be left with similar feelings and much to ponder, especially after these words from Anne’s mother: “Indifference is universal. Who are you indifferent toward today, right now? Ask yourself that. Which victims living in tents, or under overpasses, or in camps way outside the cities are your ‘invisible ones’?”

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